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skeet

A video editor that has already watched your footage. In the browser, where everyone is.

Product

  • Studio
  • Clive
  • Skeet on the desktop
  • Skeet on a phone
  • Publishing
  • Color
  • Monitoring
  • Audio
  • The schedule
  • Versions and history
  • Keeping a look consistent

Solutions

  • Independent Creators
  • Conversational Media
  • Social Media Pros
  • Streamers
  • Production Studios
  • Founder-Led Content
  • Live Commerce
  • Narrative Film
  • Product & Tech Teams
  • Education & EdTech

Resources

  • Docs
  • Changelog
  • System requirements
  • Learn
  • Community
  • Security
  • Pricing

Company

  • About
  • Contact
  • Careers
  • Brand
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  • Subprocessors

Cuts that land on the beat.

Because the beat was measured, not guessed.

Cut to your own track
A first pass on the timeline, with its clips and its audio lane.

The beat is measured

Music is analyzed on the way in, so a cut can land on the grid the track actually has.

It admits a miss

If a track was never analyzed there is no grid, and the assembler says so instead of pretending.

The bed makes room

Speech is timed to the word, so the music comes down where somebody is talking and back up after.

Retime keeps its pitch

Slow a clip and it stays in its own voice, the same way it will in the finished file.

The bed moves for the words.

It ducks off the transcript, not loudness, so a slam or a breath won’t fool it.

Try it on a talking cut
Two tracksBed follows the words

Voice

Music

Not here yet

We do not clean up your audio

There is no denoiser, no hum removal and no voice isolation. A windy street stays a windy street. If your dialogue needs repair, do it before it gets here.

No multi-camera sync

Five cameras and a field recorder will not line themselves up by their sound. Nothing in the product listens across takes for a common signature, and lining them up is still your job.

Dead air comes out of clips, not cuts

Trimming the pauses lives in Clive, where a thirty-second window becomes a short. It is genuinely automatic there, and it is not in the studio timeline yet.

Slow it down. It keeps its own voice.

And the preview matches the file.

As shotSame pitch
At half speedSame pitch

One editor, open in a browser tab.

Your footage in it, and everyone you invite.

The Skeet studio open on a nature film: the project bin down the left full of clips and audio, a green field of seed heads held on the monitor, a cut on the timeline under it with two shots on the video lane, an ambience track, and a grade applied over both, and the assistant in the right-hand rail working out what "captions" should mean for footage with no dialogue in it.

Bring your own footage.

Start editing

What else is in here.

What it costs

Each of these is as clear about what is missing as this page was.

ColorAsk for a look, then take the wheels yourself. Curves, LUTs and blend modes.Versions and historyNamed save points, an undoable restore, and links pinned to one version.PublishingOne queue for YouTube, Instagram and TikTok. Only YouTube reports back.MonitoringFour scopes reading the frame you are looking at. Standard range only.The scheduleA calendar inside the editor. Finish the cut now, post it on Thursday.The studioThe editor itself: a timeline in a tab, an assistant that has watched the footage.CliveWatches your stream and posts the clips before you log off. Its own product.Keeping a look consistentNothing scans your brand guide. Shared looks make the right one the easy one.Skeet on the desktopNo installer. It runs in the tab, on your own hardware.Skeet on a phoneNo app to install. A cut you send opens in any phone browser.
Open the studio