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skeet

A video editor that has already watched your footage. In the browser, where everyone is.

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The colorist is in another city.

You are both in the same project.

Start a project
Low tide · reel 2
Search this project
Files/Dailies/Day 06186 takes
3Circle takes
24Prod sound
0:4814A_T01
1:1214A_T02
0:5714A_T03
1:0414A_T05
0:5114A_T06
1:3314B_T01
1:4714B_T02
2:1114B_T03
2:0314B_T04
0:5214C_T01
0:4414C_T02
1:0614C_T03
0:5814C_T04
1:1915A_T01
1:4115A_T02
0:5815A_T03
1:2715A_T04
2:2415B_T01
1:5215B_T02
2:0715B_T03
0:3616A_T01
0:4116A_T02
0:3916A_T03
0:4416A_T05
0:3416A_T06
1:1416B_T01
1:0916B_T02
1:2116B_T03
0:5117_T01
0:4717_T02
1:0217_T03
0:5517_T04
00:12:51:0716:9
Main Visuals
Soundtrack
FX & Overlays
Sound Effects
Alt takes
12:0012:3013:0013:30
13B_T0714A_T0314B_T0214C_T0115A_T01
reel2-temp.wavwind-bed.wav
grain-16mm.mov
surf-distant.wavvan-int.wav
14A_T0114B_T0415A_T03
MA
MAExportShare
ChatToolsComments
3 open
AAna12:40

Reel 2 is running warmer than reel 1 from here. I matched to T03, not the pickup.

MYou13:06

Left the van interior as shot. Tell me if the window clips on the big screen.

AAna13:38

Window is on her face only. The hillside behind it stays where it is.

The real instruments

Color wheels, curves per channel, blend modes and a window over part of the frame.

See where they are

Playheads, drag ghosts and avatars, so you know what your colorist is looking at.

Cut before the transcode

ProRes or DNxHR gets a proxy on the way in. Start on it, finish on the master.

Find the take

Describe the moment you are after and the dailies come back as frames.

The real instruments.

Nothing decides the look for you.

Low tide · reel 2 · B012_C004.mp4MPAN
Rectangle
Fit01:02:15:06
CurvesCustom
YRGB
SecondaryRectangle
OffRectangleEllipse
Softness+34
Exposure-11
Gamma+9
00:0000:2000:4001:00
MA

Two people, one project, no install.

Send a link. Your colorist opens the same project and you watch them work.

Invite your colorist
Two other editors working in the same timeline: one scrubbing, one moving a clip
Not built yet

Three things we do not have yet.

They are on the list. Until they land, this page would rather name them than let you find them yourself at 2am.

Multicam
No angle sync and no switching. A multicam shoot cuts here as separate clips on separate tracks.
RAW and ProRes mastering
The engine decodes H.264, so camera-native sources are worked through a proxy and mastered elsewhere.
Shared LUTs
Nothing pushes one look out to every project on a production. A grade is set on the clip in front of you.

One editor, open in a browser tab.

Your footage in it, and everyone you invite.

The Skeet studio open on a nature film: the project bin down the left full of clips and audio, a green field of seed heads held on the monitor, a cut on the timeline under it with two shots on the video lane, an ambience track, and a grade applied over both, and the assistant in the right-hand rail working out what "captions" should mean for footage with no dialogue in it.

Bring your own footage.

Start editing