Three places, one queue.

And an honest count of what came back.

Connect a channel

A ledger of posts, with the figures arriving on the destination that reports and a reason on the two that do not.

Three destinations

YouTube Shorts, Instagram Reels and TikTok, sent from the export you already made.

Each one on its own

One platform taking it while another rejects it is normal. Both outcomes are written down.

It fails where you can fix it

A missing connection stops the post with the reason, instead of retrying something only you can undo.

Only what comes back

Views arrive from YouTube. Where a platform reports nothing you get the reason, not a zero.

What went out is ours. What it did is theirs.

We always know what we sent. Two of three platforms won’t say what it did.

See it on your own posts

DestinationsSends · Reports

YouTube

Publishes when the render lands

Views, likes, comments, watch time

Instagram

Publishes to a Business or Creator account

Nothing, under the permissions we ask for

TikTok

Lands in your drafts, one tap to publish

Nothing, under the permissions we ask for

The other way in is Clive.

It posts while you are still live.

The Clive dashboard during a live session, with clips landing as they are caught.

Clive watches a stream, cuts the moments worth keeping and sends them to the same three places, without waiting for you to finish. Same posters, same record of what happened.

See how Clive works

Not here yet

Three platforms, not every platform

No X, no LinkedIn. Facebook can be connected and has no poster behind it, so it is shown grayed rather than letting you schedule something that cannot go out.

Nothing watches trends for you

There are no alerts for trending audio or hooks, and nothing reformats a cut for “viral potential”. What goes out is the video you made.

One caption, not one per platform

The studio sends the same copy everywhere. Clive writes a title and hashtags per clip from its own analysis, and that stays on the Clive side for now.

TikTok usually lands in your drafts

Their posting API drops uploads from unaudited apps into your inbox, so a clip arrives ready and you tap publish. That is their rule, not ours, and it changes when the app is approved for direct publishing.

One editor, open in a browser tab.

Your footage in it, and everyone you invite.

The Skeet studio open on a nature film: the project bin down the left full of clips and audio, a green field of seed heads held on the monitor, a cut on the timeline under it with two shots on the video lane, an ambience track, and a grade applied over both, and the assistant in the right-hand rail working out what "captions" should mean for footage with no dialogue in it.

Bring your own footage.

Start editing

What else is in here.

What it costs

Each of these is as clear about what is missing as this page was.

ColorAsk for a look, then take the wheels yourself. Curves, LUTs and blend modes.Versions and historyNamed save points, an undoable restore, and links pinned to one version.AudioCuts land on a measured tempo. Music ducks off the transcript, not loudness.MonitoringFour scopes reading the frame you are looking at. Standard range only.The scheduleA calendar inside the editor. Finish the cut now, post it on Thursday.The studioThe editor itself: a timeline in a tab, an assistant that has watched the footage.CliveWatches your stream and posts the clips before you log off. Its own product.Keeping a look consistentNothing scans your brand guide. Shared looks make the right one the easy one.Skeet on the desktopNo installer. It runs in the tab, on your own hardware.Skeet on a phoneNo app to install. A cut you send opens in any phone browser.

Open the studio