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skeet

A video editor that has already watched your footage. In the browser, where everyone is.

Product

  • Studio
  • Clive
  • Skeet on the desktop
  • Skeet on a phone
  • Publishing
  • Color
  • Monitoring
  • Audio
  • The schedule
  • Versions and history
  • Keeping a look consistent

Solutions

  • Independent Creators
  • Conversational Media
  • Social Media Pros
  • Streamers
  • Production Studios
  • Founder-Led Content
  • Live Commerce
  • Narrative Film
  • Product & Tech Teams
  • Education & EdTech

Resources

  • Docs
  • Changelog
  • System requirements
  • Learn
  • Community
  • Security
  • Pricing

Company

  • About
  • Contact
  • Careers
  • Brand
Start editing
© 2026 Skeet, Inc.
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  • Subprocessors

The whole editor, in a tab.

Your footage in it, and everyone you invite.

Start editing
The Skeet studio: a project bin down the left, a graded frame on the monitor, a cut on the timeline under it, and the assistant at work in the right-hand rail.

It is already playing

No download, no preview. Open a link and it runs. System requirements

It has watched the footage

Describe the shot you want. It searches the footage, not the filenames.

It will do the first pass

Say what the cut should be. A first draft arrives on the timeline.

Everyone lands in one project

Invite whoever is editing with you, and see what they are doing.

Ask for the first cut, then change it.

Say what the piece should be. It has already watched the footage, so a first pass lands.

0:04Read the day three rushes
0:31Find the drive to the headland
1:12Assemble a first pass
What it costs
The coast film5:125:08
Cut day three to five minutes. Keep the drive out to the headland.Trim four seconds off the top.
0:000:100:200:30

Grade it where you cut it.

No round trip, no second application.

One frame of a city at dusk, ungraded on the left of a hairline seam and with a warm-highlight, cool-shadow grade applied on the right.
UngradedGraded

Curves and wheels

The controls you already know, on the real frame rather than a proxy.

Secondaries

Pull one colour out of the picture and grade it on its own.

Blend modes

Stack a look over a shot and choose how the two meet.

Windows

Grade part of the frame and leave the rest. The window follows the shot.

Everyone you invite lands here.

Not a copy, and not an export you send round. You see where the others are working.

EditorCan edit the cut
ViewerCan watch
LinkExpires in 7 days
How we handle your media
Two other editors working in the same timeline: one scrubbing, one moving a clip

Upload what the camera gave you.

It plays in the tab, whatever it was.

What you uploadedWhat plays
A003_0512.MOVHEVC
1080720360AAC
reel_master.movProRes
1080720360AAC
gopro_04.MP4H.264
1080720360AAC

Made in the background once the upload lands, so it never holds up the edit.

Whatever it came off

HEVC, VP9, ProRes and the rest become a copy the tab can play.

It follows the project

The proxies are what plays when somebody else opens the project.

The originals stay yours

What you uploaded is what renders, and you can take it back down.

Nothing gets upscaled

A size bigger than what you shot is skipped, not invented.

Render it in the same tab.

Pick a size and a frame rate. What lands on your disk is the picture the monitor was showing.

Size720p · 1080p · 4K
Rate24 · 30 · 60 fps
Goes toAny of: download, your disk, the library
What comes out, exactly
The coast filmExport
Rendering1080p · 30 fpsthe-coast-film.mp45:08
MP4H.264, whichever codec went in

It also knows what was said.

Search the words, and cut by taking them out.

The coast film · day three01:12:40
headland2/5↑↓
15 wordsKeep onlyCut
0:18

We came over the hill and the whole headland was under cloud, um , so we waited it out in the van.

0:31

I think we sat there for the better part of an hour talking about nothing at all , and then it opened up.

—

Sorry, can we go again from the top of that one.

0:47

The light came back across the headland about ten minutes before we lost it for good.

1:02

You can hear the wind take the microphone right at the top of that shot, you know , so we ran it again from the fence line.

1:19

Second time down the road was the one. Nobody said anything for a mile.

—

Is it still rolling? Yeah. Fine, keep it.

1:34

By the time we parked at the headland it was that blue half hour and the whole bay went quiet.

1:51

Somebody had left a chair out on the point and neither of us moved it.

2:04

We shot the last of it handheld because the tripod was still in the boot, um , and honestly it is the better take.

2:20

Then the wind got up and that was the day.

Transcribed on the way in

It happens when the upload lands, not when you ask for it.

Search the sentence

Type a phrase and land on the moment somebody said it.

Cut by deleting words

Take the line out of the transcript and the cut follows.

The ums are already found

One button takes every filler word out of the shots on screen.

Editing an interview

Send the cut, not the file.

A link plays the current version in a browser. What comes back is attached to the moment it is about.

TomWrong take. The second one is warmer.02:06
AnaCan the title hold to the cut?03:12
How versions work
A frame from the coast film with a note left on it
The coast film · v4Sent Tuesday
Priya00:41

Hold this one a beat longer.

Then it leaves.

Three destinations, and an honest count of what came back.

A published cut, and which platforms report figures back for it

Three destinations

YouTube Shorts, Instagram Reels and TikTok, each posted on its own.

Or later, on a clock

Send it when the render lands, or put it on the calendar.

One of them reports

YouTube sends figures back. The other two do not, and we say so.

What went out is yours

Every post is recorded here, whether the platform answers or not.

What we can measure

The part you scrolled for

A whole page about an editor, and you came for the number. Fair enough.Here is what it costs.

Starter100 GB · Baseline usage$10/monthCreator500 GB · 2.5× the usage$29/monthProMost taken1 TB · 6.2× the usage$69/monthEnterpriseUncapped footage and usageCustom
Starter

A side project that keeps moving.

$10/month

Billed monthly. No annual commitment.

  • Everything in Base, plus
  • Baseline usage
  • Review links for people outside your workspace
  • 100 GB of footage
Start editing
Creator

The channel you post to.

$29/month

Billed monthly. $23/mo if you pay yearly.

  • Everything in Starter, plus
  • 2.5× the usage
  • 500 GB of footage
Start editing
Most taken
Pro

Full-time, and the footage piles up.

$69/month

Billed monthly. $55/mo if you pay yearly.

  • Everything in Creator, plus
  • 6.2× the usage
  • 1 TB of footage
Start editing
Enterprise

Networks, agencies, and an SLA.

Custom

A rate and an SLA we agree with you.

  • Everything in Pro, plus
  • Uncapped usage
  • Uncapped footage
  • A rate we agree with you
Talk to us

Every plan is the same editor.

What changes is how much of it you use.

Nothing to install

A browser tab, on the machine you already have.

Your footage stays yours

Download the originals whenever, and take them with you.

Month to month

Billed monthly, and you move up or down when the work does.

Start free

No card and no end date. The bottom rung is a plan, not a trial.

One editor, open in a browser tab.

Your footage in it, and everyone you invite.

The Skeet studio open on a nature film: the project bin down the left full of clips and audio, a green field of seed heads held on the monitor, a cut on the timeline under it with two shots on the video lane, an ambience track, and a grade applied over both, and the assistant in the right-hand rail working out what "captions" should mean for footage with no dialogue in it.

Bring your own footage.

Start editing

What else is in here.

What it costs

Each of these is as clear about what is missing as this page was.

ColorAsk for a look, then take the wheels yourself. Curves, LUTs and blend modes.Versions and historyNamed save points, an undoable restore, and links pinned to one version.PublishingOne queue for YouTube, Instagram and TikTok. Only YouTube reports back.AudioCuts land on a measured tempo. Music ducks off the transcript, not loudness.MonitoringFour scopes reading the frame you are looking at. Standard range only.The scheduleA calendar inside the editor. Finish the cut now, post it on Thursday.CliveWatches your stream and posts the clips before you log off. Its own product.Keeping a look consistentNothing scans your brand guide. Shared looks make the right one the easy one.Skeet on the desktopNo installer. It runs in the tab, on your own hardware.Skeet on a phoneNo app to install. A cut you send opens in any phone browser.
Open the studio