
No download, no preview. Open a link and it runs. System requirements
Describe the shot you want. It searches the footage, not the filenames.
Say what the cut should be. A first draft arrives on the timeline.
Invite whoever is editing with you, and see what they are doing.
Say what the piece should be. It has already watched the footage, so a first pass lands.
No round trip, no second application.

The controls you already know, on the real frame rather than a proxy.
Pull one colour out of the picture and grade it on its own.
Stack a look over a shot and choose how the two meet.
Grade part of the frame and leave the rest. The window follows the shot.
Not a copy, and not an export you send round. You see where the others are working.

It plays in the tab, whatever it was.
Made in the background once the upload lands, so it never holds up the edit.
HEVC, VP9, ProRes and the rest become a copy the tab can play.
The proxies are what plays when somebody else opens the project.
What you uploaded is what renders, and you can take it back down.
A size bigger than what you shot is skipped, not invented.
Pick a size and a frame rate. What lands on your disk is the picture the monitor was showing.

Search the words, and cut by taking them out.
We came over the hill and the whole headland was under cloud, um , so we waited it out in the van.
I think we sat there for the better part of an hour talking about nothing at all , and then it opened up.
Sorry, can we go again from the top of that one.
The light came back across the headland about ten minutes before we lost it for good.
You can hear the wind take the microphone right at the top of that shot, you know , so we ran it again from the fence line.
Second time down the road was the one. Nobody said anything for a mile.
Is it still rolling? Yeah. Fine, keep it.
By the time we parked at the headland it was that blue half hour and the whole bay went quiet.
Somebody had left a chair out on the point and neither of us moved it.
We shot the last of it handheld because the tripod was still in the boot, um , and honestly it is the better take.
Then the wind got up and that was the day.
It happens when the upload lands, not when you ask for it.
Type a phrase and land on the moment somebody said it.
Take the line out of the transcript and the cut follows.
One button takes every filler word out of the shots on screen.
A link plays the current version in a browser. What comes back is attached to the moment it is about.

Hold this one a beat longer.
Three destinations, and an honest count of what came back.

YouTube Shorts, Instagram Reels and TikTok, each posted on its own.
Send it when the render lands, or put it on the calendar.
YouTube sends figures back. The other two do not, and we say so.
Every post is recorded here, whether the platform answers or not.
The part you scrolled for
A whole page about an editor, and you came for the number. Fair enough.Here is what it costs.
A side project that keeps moving.
Billed monthly. No annual commitment.
The channel you post to.
Billed monthly. $23/mo if you pay yearly.
Full-time, and the footage piles up.
Billed monthly. $55/mo if you pay yearly.
Networks, agencies, and an SLA.
A rate and an SLA we agree with you.
What changes is how much of it you use.
A browser tab, on the machine you already have.
Download the originals whenever, and take them with you.
Billed monthly, and you move up or down when the work does.
No card and no end date. The bottom rung is a plan, not a trial.
Your footage in it, and everyone you invite.

Bring your own footage.
Start editingEach of these is as clear about what is missing as this page was.