ScopesReading the frame
Histogram
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Waveform
Parade
Vectorscope
Four scopes, live
Histogram, waveform, RGB parade and vectorscope, on the composited frame while it plays.
The signal you are judging
They read the display-encoded picture your monitor receives, which is the one your eye is grading.
The assistant reads them
Ask whether the blacks are crushed and it answers off the same bins, not off a look at a thumbnail.
What you see is what ships
One working space through the whole cut, and every export tagged Rec.709 so the file matches the panel.
The assistant reads the same numbers.
It reads the scopes, not a guess, and reports whole-frame values, never where.
Put it on your own footageReading at 00:04:12Whole frame
HistogramShadows against the black point
HistogramHighlights against the white point
HistogramWhere the midtones sit
VectorscopeLean off the skin line
One color space, from ingest to file.
What the panel shows is what the export says.
Not here yet
HDR scopes
The scopes are built for standard-range material and clamp what falls outside it. Handling out-of-range values is a mode we have specified and not built, so if you are finishing in HDR, this is not the panel for it today.
ACES
The working space is a managed Rec.709 one, chosen on purpose and written down. A full ACES pipeline is a decision we have deferred rather than a menu item we are hiding. When it lands you will hear about it here first.
Output to a reference monitor
Everything is judged on the panel in front of you. There is no card output, no calibration path and no device profile. Grading to a broadcast reference display is a job this does not do.
One editor, open in a browser tab.
Your footage in it, and everyone you invite.
Bring your own footage.
Start editingWhat else is in here.
What it costsEach of these is as clear about what is missing as this page was.
ColorAsk for a look, then take the wheels yourself. Curves, LUTs and blend modes.Versions and historyNamed save points, an undoable restore, and links pinned to one version.PublishingOne queue for YouTube, Instagram and TikTok. Only YouTube reports back.AudioCuts land on a measured tempo. Music ducks off the transcript, not loudness.The scheduleA calendar inside the editor. Finish the cut now, post it on Thursday.The studioThe editor itself: a timeline in a tab, an assistant that has watched the footage.CliveWatches your stream and posts the clips before you log off. Its own product.Keeping a look consistentNothing scans your brand guide. Shared looks make the right one the easy one.Skeet on the desktopNo installer. It runs in the tab, on your own hardware.Skeet on a phoneNo app to install. A cut you send opens in any phone browser.