A link, not an app
Whoever you send a cut to opens it in the browser their phone already has.
It plays the version you sent
Pinned to that cut, so a link sent on Monday cannot play a half-finished Wednesday.
Notes land on the shot
A note is anchored to the clip and the frame, so it survives the next trim of the opening.
It says what it cannot draw
If a version has titles or overlays the player leaves out, the page tells the viewer so.
A phone app is on the list.
None of it is running yet.
Capture
Not built. Nothing on a phone shoots into a project or uploads to one.
Cutting on a phone
Not built. The editor expects a keyboard, a pointer and a large picture.
Watching offline
Not built. The review page needs a connection to fetch the version and its media.
A store listing
Not planned yet. There is nothing to list, and we would rather say that than take an email.
One editor, open in a browser tab.
Your footage in it, and everyone you invite.
Bring your own footage.
Start editingWhat else is in here.
What it costsEach of these is as clear about what is missing as this page was.
ColorAsk for a look, then take the wheels yourself. Curves, LUTs and blend modes.Versions and historyNamed save points, an undoable restore, and links pinned to one version.PublishingOne queue for YouTube, Instagram and TikTok. Only YouTube reports back.AudioCuts land on a measured tempo. Music ducks off the transcript, not loudness.MonitoringFour scopes reading the frame you are looking at. Standard range only.The scheduleA calendar inside the editor. Finish the cut now, post it on Thursday.The studioThe editor itself: a timeline in a tab, an assistant that has watched the footage.CliveWatches your stream and posts the clips before you log off. Its own product.Keeping a look consistentNothing scans your brand guide. Shared looks make the right one the easy one.Skeet on the desktopNo installer. It runs in the tab, on your own hardware.