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skeet

A video editor that has already watched your footage. In the browser, where everyone is.

Product

  • Studio
  • Clive
  • Skeet on the desktop
  • Skeet on a phone
  • Publishing
  • Color
  • Monitoring
  • Audio
  • The schedule
  • Versions and history
  • Keeping a look consistent

Solutions

  • Independent Creators
  • Conversational Media
  • Social Media Pros
  • Streamers
  • Production Studios
  • Founder-Led Content
  • Live Commerce
  • Narrative Film
  • Product & Tech Teams
  • Education & EdTech

Resources

  • Docs
  • Changelog
  • System requirements
  • Learn
  • Community
  • Security
  • Pricing

Company

  • About
  • Contact
  • Careers
  • Brand
Start editing
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Ask for a look.

Then take the wheels yourself.

Grade your own frame

Warm

Filmic

Moody

The real instruments

Lift, gamma and gain on their own wheels, curves on the channel, blend modes underneath.

Looks you can take apart

Ask for warm or filmic and what lands is an effect stack with values in it, not a sealed filter.

Scopes while you work

Histogram, waveform, parade and vectorscope, computed on the frame you are looking at. How the scopes read

It leaves in one piece

One working space through the cut, and an export tagged to match what the monitor showed you.

Every value it set, you can move.

A look is not a sealed filter. Ask for warm and the wheels are still on it.

Open a look and change it
GradeWarm, opened

Lift

Gamma

Gain

Saturation

The grade lives on the timeline.

Not in a panel bolted to the side.

The Skeet studio with a project open: a graded frame on the monitor above the cut.

Not here yet

Nothing invents a grade from a sentence

Describing a mood picks from a set of named looks and dials it. It does not derive curves for your particular frame, and a page telling you otherwise would be describing a feature we would then have to build.

No shot matching across a project

There is no one-click "make everything look like this clip". Matching a sequence is still a shot-by-shot job, with the scopes to check it against.

No relighting

Shadows and lighting direction are what the camera recorded. Nothing here moves a light after the fact.

Nothing protects skin tones for you

Push saturation and faces go with it. The vectorscope has the skin line drawn on it, which is the honest version of that promise: a reference to grade against, not a guard rail.

One editor, open in a browser tab.

Your footage in it, and everyone you invite.

The Skeet studio open on a nature film: the project bin down the left full of clips and audio, a green field of seed heads held on the monitor, a cut on the timeline under it with two shots on the video lane, an ambience track, and a grade applied over both, and the assistant in the right-hand rail working out what "captions" should mean for footage with no dialogue in it.

Bring your own footage.

Start editing

What else is in here.

What it costs

Each of these is as clear about what is missing as this page was.

Versions and historyNamed save points, an undoable restore, and links pinned to one version.PublishingOne queue for YouTube, Instagram and TikTok. Only YouTube reports back.AudioCuts land on a measured tempo. Music ducks off the transcript, not loudness.MonitoringFour scopes reading the frame you are looking at. Standard range only.The scheduleA calendar inside the editor. Finish the cut now, post it on Thursday.The studioThe editor itself: a timeline in a tab, an assistant that has watched the footage.CliveWatches your stream and posts the clips before you log off. Its own product.Keeping a look consistentNothing scans your brand guide. Shared looks make the right one the easy one.Skeet on the desktopNo installer. It runs in the tab, on your own hardware.Skeet on a phoneNo app to install. A cut you send opens in any phone browser.
Open the studio