Six hours of tape.

One good forty minutes.

Upload a recording

Search the tape by what was said.

It’s transcribed and indexed on the way in: a half-remembered line is a search.

Upload a recording

The long way south · ep 4106:14:22

the bit about losing the light

4 moments in 2 clips

ep41-guest.wav2 moments

4:12:387.2s

We had maybe forty minutes before we lost the light, and I was certain we were going to blow it.

spoken

5:47:525.8s

Losing the light twice taught me more than four weeks of prep did.

spoken

ep41-host.wav2 moments

4:31:076.4s

So the whole ending is in that window? After losing the light on the first day as well?

spoken

5:12:444.1s

You keep coming back to the light. Was that the whole reason for the second trip?

spoken

Then cut it where you found it.

Same tab, same project, no export.

The long way south · ep 4106:14:22

losing the light2/6

9 wordsKeep onlyCut

4:02

and by then we had maybe forty minutes before we were losing the light , so nobody was arguing about the shot any more.

4:11

Right, and that is the bit I keep coming back to. I mean, you know, the thing about it is you cannot plan for losing the light , you can only be ready for it.

—

Sorry, can we go back? I want to say that again properly because I do not think that came out the way I meant it.

4:26

So we shot it in one take, and, um , the second one is the one in the film. Nobody has ever asked which.

Indexed as it lands

Every recording is watched, transcribed and indexed on upload. No separate pass to run.

Find the line

Type the phrase you remember from hour four. It comes back with the take attached.

A first pass on request

Ask for a cut and the assistant assembles one from footage it has already watched.

Nothing to install

It runs in a browser tab, so a guest can be sent a link and see the same project.

Not built yet

What an interview show still does by hand.

These are the three we get asked for most, and none of them ships today. We would rather you read that here than find it out on a deadline.

Multicam: No angle sync and nothing that cuts to whoever is speaking. Two cameras are two tracks you cut yourself.
Clips from an upload: Nothing scores an uploaded recording for the moments worth clipping. Clive does that live, on a stream you are running.
Publishing: There is no scheduler here that posts a finished episode out to your platforms. You export and upload it.

One editor, open in a browser tab.

Your footage in it, and everyone you invite.

The Skeet studio open on a nature film: the project bin down the left full of clips and audio, a green field of seed heads held on the monitor, a cut on the timeline under it with two shots on the video lane, an ambience track, and a grade applied over both, and the assistant in the right-hand rail working out what "captions" should mean for footage with no dialogue in it.

Bring your own footage.

Start editing

What an interview show still does by hand.

These are the three we get asked for most, and none of them ships today. We would rather you read that here than find it out on a deadline.

Multicam

No angle sync and nothing that cuts to whoever is speaking. Two cameras are two tracks you cut yourself.

Clips from an upload

Nothing scores an uploaded recording for the moments worth clipping. Clive does that live, on a stream you are running.

Publishing

There is no scheduler here that posts a finished episode out to your platforms. You export and upload it.